Wednesday, 30 March 2011

'Pride of Moelfre' Documentary

Wow.


Just came back from the best filmmaking week i've had in a long time! Probably since Just Business last Summer.


We were set the task originally to make a 10 minute Documentary on a subject of our choice. With job roles established as follows: 
Director: Jay Brown
Producer: Mike Evans
Cinematographer: Darren Martin
Sound Designer: Tom Oswin
Editor: Claire Randell


As a Director I was willing to give Cinematography another go, along with Mike also being a Director giving Producing a go allowing Jay to have an individual credit as Director this time round. Tom was happy as Sound Designer and Claire was happy with her editing role.


The idea came about after Mike had remembered he used to visit a Lifeboat Station in Angelsey when he was younger, staying at his nan's house. We researched more into this Lifeboat Station, discovering it was run by the RNLI (Royal National Lifeboat Institute) a charity funded organisation in which volunteers save lives at sea. We got in contact with Rod Pace, the Operations Manager at the Lifeboat Station Mike used to visit in a seaside village called Moelfre.


After visiting the village with Jay on a recci (see previous blog post) decisions were made as to what the documentary would be about.
We wanted to avoid making it a promotional video for the RNLI, by giving it more of a cinematic appeal and emotional content. The fact that the lifeboat station, engulfed in history is going to soon be knocked down gave us that emotion and story behind the content in plain sight.


Wednesday 23rd March 2011
Set off at 1pm after picking up all the equipment from stores and packing it all into my car and reached Warrington at 5pm after a few stops. Myself, Mike and Claire stayed at Mikes house while Tom stayed at Jays. After a lovely meal we set off the following morning to Angelsey. 


Thursday 24th March 2011
The two hour drive went quickly as we reached Almwch where we pitched our tents
The rest of the first day we spent on a group recci. We took some shots of some landscapes, testing out the equipment and what settings to use in certain lights and circumstances before heading back for bed.


We ended up sleeping indoors the following night after our dreadful nights sleep in the tents! It was extremely cold and the seagulls around us would not shut up! So we were very grateful of Mike's nans hospitality and allowing us to keep warm at night!


Friday 25th March 2011
Today, after the interesting nights sleep, we were all very tired. We soon woke up when we realised how amazing this location was! The true HD resolution on the viewfinder really got us all thinking we could have a great documentary here! We got plenty of pick up shots during the day and Tom (on his 21st Birthday) was enjoying recording sounds of the sea in different ways. One way which really stood out to me was on the pebble beaches, by resting the microphone on the pebbles, the sounds of the waves were allowed to vibrate through all of the pebbles back up through to the mic. It made for some quality sounds! The weather was amazing, which made my job as Cinematographer a lot easier! It made everything in Moelfre look beautiful! After spending some time in the Lifeboat station, we headed back to the house. As it was Toswins birthday, we'd organised a meal at a local hotel and got him a cake! Successful bonding with the crew played a big part in the great filmmaking experience I had. We all felt relaxed around each other, with everyone on the same wavelenght so were able to achieve our highest potential! Everyone was equally committed too, which made everyone fully aware that this was important to one another. Claire was setting alarms throughout the night to make sure both the batteries and P2 Card was ready for the following days shoot. The P2 card needed transferring to 3 different places before we could shoot on it again, each transfer of an hours footage was taking an hour/ 2 hours each time. Without this dedication, we would have lost hours of shooting time everyday!


Saturday 26th March 2011
Today was a day none of us will forget for a while! Personally, which the others have also stated the best thing we've had to film before.
We were fully aware of the scheduled exercise on Tuesday where the Lifeboat would be launched and we'd have plenty of time to film it and prepare etc. It was lunchtime on Saturday, after a successful morning of interviews we were all happy with how the documentary was going. So far so good. I was sat outside waiting for Rod to restart the interviews after lunch when Jay rushed down and said "grab the camera!". He rushed back inside and I followed him up to the Cabin/ Office, he said "there's been a shout, they're launching the boat!". Fantastic! This would look great in our documentary! But wait I had to make sure I captured it well! I've never been so nervous about screwing up, but I kept calm, grabbed the camera and just hit record. We couldn't afford to miss any of the action happening as volunteer after volunteer appeared after they'd all received notification that the boat would be launching. I managed to get some shots of Rod looking calm under pressure with everyone around him rushing about. Then came the siren! This added to the exhilarating experience even more! I could barely hear anything! As none of us had seen the lifeboat being launched before, we were unaware of the exact procedure that happened before it went down the slipway. We were determined not to miss the lifeboat going down the slipway so just stood and waited upstairs at the window looking down for the lifeboat to launch. We opened the window which allowed the camera lens to poke through the gap, the cold sea air was blowing into my eyes, which were watering uncontrollably! The suspense was mad, we didn't know when it was going to go, one person said "it goes when the whistle sounds". The whistle went, I had one final check of the framing before it shot down the slipway, I tracked it and zoomed in a little as it disappeared out to sea. 


When is was just about out of sight we cut the camera and I wiped my eyes in astonishment, also because they were soaked. That wasn't everything though, Rod was still at the navigation desk with the radio at his mouth.


It got back to us that the lifeboat wasn't going to be able to return to the station due to heavy easterly winds so it would need to dock at a near by port. We were invited by Rod to follow him to the port and get some shots! This was a very good decision as we ended up with some amazing shots of the lifeboat at dusk.


We got some great shots of Rod overlooking the lifeboat too, everything went perfectly. After that day, we arrived back home still buzzing! It was such a rush of adrenaline, and now we can relate to the reasons why these people volunteer! We were bystanders and watched as everyone did everything like clockwork, making sure they got away in 11 minutes to help someone in need of help at sea!

We found the report of the lifeboat launch from Moelfre was added and read it, making what felt so much like a hazy dream, real again. It was incredible; the efficiency, the calmness and the co-ordination of several volunteers to accumulate all the personnel necessary to launch the huge lifeboat successfully!

Sunday 27th March 2011
We were all feeling very happy with ourselves on the Sunday morning. A great load of footage the day before, a great nights sleep as well as more sunny weather! We headed off to the Station again to get some more pick up shots and a few final interviews with Rod. We captured some shots of the empty lifeboat station, which had a strange atmosphere, now the lifeboat had gone. 

We didn't have that much left to do after we'd shot this. We still needed some frontwards shots of the lifeboat in the station but as it had gone, there was nothing we could do about it! We went back home and chilled out for a bit before Rod called Mike letting us know that the lifeboat would be coming back this evening! We quickly jumped in the car and got to the station as quick as we could!

We turned up and had about a 45 minute wait for the lifeboat to arrive round the corner, giving us some great footage of it going through the waves at speed! It came to a steady stop and backed onto the slipway, with the sea now rid of harsh waves, getting it onto the slipway was easier now than it would have been, had it attempted to come back up the slipway the previous day.

Monday 28th March 2011
We were all happy as a group that we'd got as much footage and enough coverage to make a successful documentary. We had numerous cutaways, varying from static, to pans and tilts. Tom had some great sounds too that he'd recorded separately on the marantz, loads of radio chatter which could come in very handy for the documentary when bridging cuts.

We arrived at the Lifeboat Station in the morning, bright and early, probably the best day we've had and got the frontal shots of the Lifeboat in all it's glory. There was some nice water reflection on the roof of the station which looked incredible as we looked up at the magnificent boat. Pans, tilts and beautiful blue sky in the background should make for a nice shot!

After we'd finished at the lifeboat station, we stopped off at Rods regular job. Down by the Brittania Bridge which seperates Angelsey from the rest of Wales we had to go down a massivley steep hill.

The worry about the car was all but forgotten as we reached the bottom, another amazing landscape! Rod was bombing around in his speedboat asking us what we wanted him to do. Jay gave him the signal to drive around while I panned with him. Wide shots and Close ups of Rod working should work nicely with the voice over of him talking about the related subject going over the top.

This location topped off the trip. Just as we thought it couldn't get much better, Rod brings us to this place! Absolutely stunning! We shot what we needed and then left, heading back to Warrington before the 4 hour journey back down to Surrey.

Some people say Documentary is 90% access. We were extremely lucky and very well looked after by the Moelfre Lifeboat Station Crew and can't thank them enough for their help and support whilst we made this Documentary.

I'll never forget this experience; the location, the events that unfolded as well as the great film crew spirit we all showed. This is how filmmaking should be! I'm happy again!

Great time, great crew, now hoping for a great Documentary at the end of it!

Thursday, 10 March 2011

Recce in Moelfre, Angelsey

For this Documentary Unit, our Group (P) will be looking into a film about the RNLI (Royal National Lifeboat Institute) with particular attention going to the lifeboat station based in Moelfre, Angelsey and it's Operations Manager, Rod Pace. We will look into the relationship between Rod and this station, smothered in rich history and pride; with the added emotion of the station being demolished and replaced for a newer model.

To get an idea of visuals and to have a chat with Rod in person before the main interview, myself and Jason drove up to Moelfre on Saturday after i'd finished work. We left at about 5pm, arriving at Jason's house in Warrington at about 8:30pm. We stayed there for the night and Sunday morning we headed off to Moelfre. The journey from Jay's house took just under 2 hours, reaching the lovely seaside village of Moelfre at 10:15am.



It was a brilliant day; blue sky, warm, sunny and hardly any breeze made for a perfect impression of Moelfre. We started off by parking at the RNLI Museum then walking to the RNLI Station a few metres down the road. I took a Nikon D90 with me and took pictures relating either to shot ideas or useful information people absent from the recce might want to know. A lot of it was observational research and by taking photos and some videos I was able to get a great scope for the type of landscape and it's features had to offer. I could only hope for such a brilliant few days for the shoot!

At 11:30am myself and Jay went to meet Rod Pace at the RNLI Station. He took us upstairs, past the Lifeboat and into what seemed like the upper deck of a ship! Wooden decor on the walls and a huge window accompanied by a large, covered telescope. The atmosphere in this upstairs hideaway/ office was warm and entertaining. There were about 7 or 8 people chatting, having a laugh and drinking tea and scoffing biscuits. We were offered tea as we sat down at the table in the middle and Jason began chatting to Rod about the Documentary.

During their chat, I began taking pictures of the masses of memorabilia and decorations scattered across the walls of this vast hideaway. From this room alone, it was evident this Lifeboat Station had a lot more to offer than first meets the eye! Riddled with History, I was fascinated by some of the achievements on display, with a great degree of pride and respect for everyone who volunteers to save lives. 

When Jay and Rob had finished their chat, Rod took us both on a tour of the station (Click Here for more Pictures - navigate left on the photostream) Firstly on the lifeboat then onto the slipway. 




It was then that Rod told us that he would release the smaller lifeboat whenever we wanted and that the main lifeboat only goes out on exercises every 13 days. We decided that we needed the shot of the lifeboat launching so we're going to extend our stay to accommodate the film.

Rod then took us round the rest of the station; through the offices and back around to the lifeboat again where Jason asked him some more in-depth questions and I had the chance to get some Interview Style Pictures. It was during this chat in which Rod told us we would pretty much be allowed full access to the lifeboat station.

We clarified a few dates then said our goodbyes before myself and Jay walked down to the village centre and took some more pictures. Jay rang Mike and told him what we'd found out and all in all it was a very successful trip! 

Now we've got the recce out the way and the pitch to the lecturers and year group went well, I'm really looking forward to getting back up to Moelfre and making a brilliant film!

We'll be leaving on the afternoon of the 23rd after we've picked up our equipment, be camping out for 6 days whilst shooting during the day. It's a laid back schedule, but one in which will allow us to focus on everything closer as we have so much time to perfect anything we do.

The lifeboat is being launched on the 29th so we'll stay for that before heading back. 

I'll be driving everyone;
Mike, Jason, Tom and Claire as well as all the camera equipment, sound, lighting and tents. We'll be travelling light as well so getting everything to fit will be interesting!

I'm really looking forward to shooting this documentary with a great bunch of filmmakers about a really interesting subject!

Tuesday, 1 March 2011

Busy Busy Busy!

It's been a while!
Because i've been very busy!


So far:
Semester 1 (Sept 2010 to Jan 2011) - 


Fact into Fiction Group Film - 54
The Other Cinema Personal Film - 70
Documentary History & Theory Essay - 58


Currently:
Semester 2 (Feb 2011 to May 2011)- 


- Working on a story/ pitch for the group film next year in which i'll be Directing 'Flatmates'


- Working as Cinematographer for Group Documentary Project this Semester, a Documentary up in Anglesey, North Wales featuring the RNLI (Royal National Lifeboat Institution).


- Attending "Reality and Fiction" (Essay Unit) Lectures, yet to choose question


- On a Five week Break from Directing Specialism (to produce a description of a scene and detailed floor plans for the shoot) Chinese Restaurant Scene from 'Kill Bill' (Tarantino, 2003)




TODAY is 28th February 2011...


I received my mark for my first Academic Essay online, 58, not brilliant, but not bad. I'm content with this mark.


However, today I went to my pigeon hole to pick up my feedback for my essay... to which I found none. Well, I say none... Nothing was said about the content nor the subject I wrote about in my essay. Nothing whatsoever, very helpful. All I received on the feedback sheet was how bad at referencing in the 'Harvard' way. I use Capital letters in the wrong places and sometimes add the letter 's' when not needed, some of my paragraphs aren't structured properly either...


I thought I came here to be a filmmaker... not to write essays. Fair enough I take the points on board, but the real task of the essay was to write about how some documentaries draw out underlying tensions and sensibilities of the time in which they depict... I received no feedback about what I wrote about, but how I wrote it. I'm sorry my grammar isn't great, but who's is? I'm pretty sure the most important thing in terms of writing and me learning is the subject of what I write about? Surely? I don't want to be a professional essay writer... I want to be a filmmaker... For something I put a lot of effort into, I'm quite unimpressed that nothing was said about the content of my essay, maybe I should take it as a compliment that he didn't criticise it, but surely that's what we need? Criticism of our work... my work being - analysing and realising what tensions were at that time... but no, apparently the work is how well I can use punctuation and grammar and reference everything specifically in 'inverted commas' or in italics... 


Annoying... But it's done now, I know what I need to improve on, theory wise no idea whether what I wrote was good enough... English Language wise, i'll do better next time, sorry Harvard.

Sunday, 6 February 2011

New Short Film!

Title: Flat-mates (working title)
Director: Darren Martin
Certificate: TBC
Run Time: Approx. 10 minutes
Produced by: Dazatron Films
Plot: "Two lifelong friends live together in a flat in the city. They've known each other since they were kids. Friend groups, work, interests and other influences put these flatmates' true friendship to the test. With one noticing change more in the other, will his attempt to help him prove a bad idea? Is Change Good? Follow the story of how even the best of friends can be influenced to change, resulting in testing and emotional circumstances."
Notes: This short film will be heavily performance driven, capturing the true effects that change can have on a friendship built over years of thinking they truly 'know' one another. Predominant Location will be the flat, each with a room offering an escape and an added depth to each ones 'true' personality. Uncovering their true personalities will be an underlying subject which will capture the audiences emotions swaying their sympathies backwards and forwards. A theme in which young people have to go through all the time; friends changing and no longer being 'friends'. Everyone has felt it in some form or another and this film will contribute and play on those emotional thoughts that can affect friendship dramatically.


More information to follow.




Title Info: Flat-Mates, yes means sharing a flat with someone. But, also emphasising and defining 'flat' in front of 'mates' can add more to the title. Change. Their friendship is flat. 'Lacking interest or emotion'. This gives the title dual meaning but at first glance purely is read as flatmates. It's not until you get the gist of the film in which flat-mates starts to capture attention and hidden meaning.

Monday, 31 January 2011

Twitter!

I'm now on Twitter with Dazatron Films too!


http://twitter.com/DazatronFilms

Friday, 14 January 2011

Darren Martin - Filmmaker

This is a link to view my Other Cinema Personal Film!
http://darrenmartin22.tumblr.com/

The Other Cinema Screening

Over the last two days, in the huge lecture theatre the entire year group watched 72 films. Everyone was given feedback sheets to fill in after watching each film, whilst comments and questions were given to the filmmaker who stood up at the front.

There was a lucky dip procedure in which Claire Barwell, the head of Film Production would pick a DVD out of a pile and we'd play it. Not knowing when my film was going to be shown was quite nerve racking. Even more so, due to some of the films on display; some really deep, meaningful stuff on show. This was the first time i'd seen anyone's raw filmmaking in the class and I was really interested to see what the class had to offer.

Some filled me with confidence, whereas others got me thinking whether i'd done it right. Either way, I just wanted mine to be shown!

We watched about 16 or 17 films then it was Lunch.

After lunch we watched, THE most EXPERIMENTAL film EVER, featuring video distortion effects and crazy sound. I was thinking, well mine is probably the most UNexperimental... I sure hope mine doesn't follow that!

Lucky Dip... A nice looking white DVD case was pulled out of the pile... That one is mine! No one else had done a cover, just handed in discs! I knew it was mine, my name was called up and I semi-confidently walked down.

The menu came up, Simon pressed play and I sat down on the stairs at an acute angle so I could barely see the screen. The titles started and I began to feel confident as I watched people look intrigued, as of course, this was the first time any of the class had seen my work.

If no one had laughed, I would have been upset and disappointed. It is a Comedy film expressing my view on life and filmmaking, to be fun, imaginative and funny.

There it was, as I looked outside to the snow meaning I couldn't do my film anymore, the first laugh from the audience. I was happy. It happened again during the conversation with myself and my dad, then again when I went and filmed the dog. The laughs were getting bigger and I was starting to enjoy watching it as I was feeling good that i'd made people laugh. The film continued and as I could feel the audience reading "country town invaded by transvestites" then laughing I knew they'd like the next shot. The Tranny made everyone laugh even more, then even more as he eyed up my leg and again when my dad recognised him.

Next up was when I walked out of the bathroom in my swimming shorts and goggles, this got a great laugh, then again with my dad moving the camera out of the way. A slight wince/ laugh when I slipped over then a laugh when I revealed all the snow had gone, before a sarcastic 'happy' ending of credits 'Born with a Smile on my Face' by Stephanie de Sykes got the audience into a almighty roar then a lovely applause followed. I was so happy to see people appreciating me at University. After feeling nothing last year, to finally being recognised and appreciated by these filmmakers that previously knew nothing about me.

I walked on down, with a modest approach I stood up in front of everyone as Simon said "we've created a monster", still not quite sure what he meant by that but oh well. It didn't seem to receive the same comments as other films i'd watched, the general consensus was that people liked it. It was personal to me and everyone could see that. I wanted it to be 'fun and funny' and the audience and the lecturers agreed that I did what I set out to do.

After another round of applause I headed back up to my seat and sat down with a rather large smug grin on my face.

During the afternoon break, I found numerous people i'd never spoken to before coming up to me and saying how much they liked my film! They were saying it was really funny and how well put together it was, I really felt welcomed and happy that they'd taken the time to personally come up to me and comment on my film.

The film was not just about being a personal film. I used this opportunity of screening to the whole year as an advertisement. I knew everyone would be there, I knew they'd all be watching and I knew they'd all remember me if A. I plastered my name all over it, B. was in it so they'd remember my face and C. Make it Funny.
So I didn't just make it because I enjoyed it. I made it as a kind of Advert or Statement of Intent for people to see what i'm about and what I can offer.

I think, from the feedback i've gained, i've done that and hopefully now people will give me more of a chance.

Saturday, 8 January 2011

'Darren Martin - Filmmaker' Movie Stills

Here are some Screenshots taken whilst editing the Movie. They show the main parts of the film... It's been great fun to shoot and edit, I just hope everyone likes it. It's a personal film, so even if no one else likes it, I am Proud of it and enjoy watching it!

The Idea


No Go because of Snow


Surely something can be done indoors?


Ideas Journal


It's a Dogs Life


Filming It's a Dogs Life


Not Filming It's a Dogs Life


"choose your people wisely then"


"it's great we all have a lovely girly time"


scratchy scratchy


hmmm


i'll go get the stockings from the car, they'll look fabulous on those calves!


no you don't have to!


'we have to get rid of the Tranny'


Dave?


No, Linda


Fun House Idea


Go Swimming!


Never leave a Camera Unattended


Spillage


oops


never leave a spillage unattended


who's moved the camera...


SLIP


WHOOSH


SMACK... OUCH


awoken from concussion... "I've Got It!"


'I'll grab my Coat'


"SNOW DAY"


where'd all the snow go?

Wednesday, 5 January 2011

Rough Cut - Slip Sequence - 'Darren Martin - Filmmaker'

Here's a Rough Cut of the Slip Sequence.

It does have sound, however Youtube disabled my soundtrack because it features copyrighted music. This project is allowing us to break traditional laws as it's for university. 

The music is the famous theme from 2001: A Space Odyssey (think of it right at the start, then it stops when my dad starts talking.)

The sound when I slip over is all natural, unfortunately they got rid of it! Watch the finished film for the final outcome!

This rough cuts purpose is to look at the editing and the way in which it all cuts together. Particularly the Slipping Over Part.

Have a watch and feel free to comment!

Thanks!

© Dazatron Films 2011

Shoot Day - Wednesday 5th January

Well, it's just gone 3:24pm

I've just had lunch after a busy morning filming.

I've shot lots of pick up shots for the opening montage in which I clarify that i'm a filmmaker. Various posters of films i've previously done etc. I've also done the titles, a way in which i've not done before, hand written. Give it a personal touch, which this film has so fits in nicely. I've written various typical 'Dazatron Films Presents' 'A Film by Darren Martin' etc around my notice board and have banned and tilted to each one before revealing a big title.

This morning has mainly been about close ups; shooting some nice close ups of the idea journal will go well as cut aways from the wide shots of me flicking through my book. I framed up on the next page before putting the page across it, I then turn the page to reveal something 'interesting'. Lovely.


Tonight, which is looming ever closer is the TRANNY SCENE. This TRANNY SCENE is going to be funny. I've got all afternoon to prepare and rehearse it. It's basically me doing an interview with the TRANNY and it goes horribly wrong, the TRANNY starts asking me questions and it all goes to pot!

My Uncle is going to be the TRANNY, although i've been told that the TRANNY CLUB in Liphook actually meets on Wednesday's!

I've also edited together a rough cut of the final film idea in the film, where I try and film the fish tank and end up on my back. I'm quite happy with it, although 3 Minutes looks a distant figure and we're looking more like a 5 Minute Short. But the amount of trouble i've had with this film, a couple of minutes isn't going to get in my way. I'm saying now, 5 Minutes Maximum. They said the rules are there to be broken! It's a Personal Film, this one is 5 Minutes and very personal so thank you and good afternoon!

Will report back later with how the TRANNY SCENE went, wish me luck!








Tuesday, 4 January 2011

Darren Martin - Filmmaker

Some Screenshot/ Teaser Posters I made!


Monday, 3 January 2011

A Dog, A Tranny and A Swimmer

No that's not the title of my new film, but some of the things featuring in it.

The elements this winter have hit me hard, mainly the snow. All my ideas were hampered by the white stuff.

Yet i've kept going. I'm now about to...

Make a film about me making a film and failing.

'I've come up with a brilliant idea that happens outside, then my mum shouts "it's snowing" so i'm depressed. I start flicking through my book for ideas and I try and do one indoors, about my dog. She's not doing anything but sleeping, so this idea fails. I then try and make a film about Liphook, so decide to interview some of the 'interesting' residents. A Tranny, part of the Liphook Transvestite Club (yes it does exist). They turn up and I interview them, he sees me scratch my leg and starts to become suggestive over the idea that I could be a Tranny too! I'm against this idea but my girlfriend thinks it would be funny. Meanwhile my dad is unaware there's a tranny in the house and when he finally meets him he seems to recognise him from school... "Dave?" "no my name is Linda" "no no it's Dave we went to school together!" The Tranny flees.
The next idea involves me trying to make my house fun by swimming in the hall way. The camera is pointing at the fish tank, i'm bored so I wander off. My dad comes downstairs and moves the camera so he can work on the fishtank. He spills some water on the floor. Meanwhile i'm getting a drink in the kitchen. My dad notices the puddle on the floor and goes to get a towel. I come back to discover the camera has been moved, I briskly go to grab the camera but before I can I slip on the puddle of water and go flying, landing on my back. The screen goes fuzzy and starts to spin.


I wake up on the sofa in the lounge. Compose myself then realise I could make a film using the snow! I start singing snow related songs to myself and begin writing in a notebook. I then grab a coat, and a scarf, head to the front door and open it.


From the outside I shout the film "SNOW DAY" only for a quick zoom out to reveal that all the snow has now gone.'

The End.

Characters:
Darren
Dani (girlfriend)
Mum
Dad
Dog
Tranny

Locations:
My House - Landing, Bedroom, Kitchen, Utility Room, Lounge, Bathroom, Hallway

Props:
Camera
Bucket
Notepad
Idea Journal
Pen
Snorkel
Fishtank Equipment
Stockings

Costume:
Tranny Stuff - Wig, Jewellery, Dress
Swimming Stuff - Shorts

Title: Darren Martin - Filmmaker
Approximate Run-Time: 3 Minutes
Certificate: U
Release Date: 2011